These aren’t issues, they are subscriptions:
One of the best scenes in the Godfather movie trilogy was in “Godfather II,” when Kay Corleone (Diane Keaton) told her husband Michael (Al Pacino) she was taking their two children and leaving him. The dialogue:
Michael: Do you expect me to let you take my children from me?…. Don’t you know that’s an impossibility, that that could never happen, that I’d use all my power to keep something like that from ever happening?…. I know you blame me for losing the baby. Yes. I know what that meant to you. Kay. I swear I’ll make it up to you…. I’ll change. And you’ll forget about this miscarriage, and we’ll have another child, and we’ll go on, you and I, we’ll go on.
Kay: Oh – oh, Michael, Michael, you are blind. It wasn’t a miscarriage. It was an abortion, an abortion, Michael! Just like our marriage is an abortion, something that’s unholy and evil. I didn’t want your son, Michael! I wouldn’t bring another one of your sons into this world! It was an abortion, Michael. It was a son, a son, and I had it killed, because this must all end. I know now that it’s over. I knew it then. There would be no way, Michael, no way you could ever forgive me, not with this Sicilian thing that’s been going on for 2,000 years….
SLAP.
Michael: You won’t take my family!
And she doesn’t.
That spontaneous slap was the reaction of a real man who a woman had just told she aborted his baby. Compare that to the modern day cowardly male response, “It’s your choice. Whatever you decide, I’ll support you.” Or worse, his threat to abandon her if she does not abort.
It was this fierce devotion to family that strangely endeared us to the Corleone men despite their otherwise heinous behavior.
In Mr. Brooks, the teenage daughter of serial killer Earl Brooks (Costner) turns up pregnant midway through her first semester of college. When Jane tells her parents, Earl emphatically states abortion is out of the question and offers to raise the baby. Jane is equally emphatically abortion minded until that moment, when she says she will reconsider. Typical. If a mother in a crisis pregnancy is offered love and support, she will most often choose life.
I won’t give away the end of Mr. Brooks except to say the prospect of his seeing future grandchild became Earl’s motivation for a life or death decision.
All of this is way twisted, I know. But similar to Godfather II, even a schizophrenic serial killer knows abortion is wrong, and similar to Godfather II, this became a redeeming quality of one who had no others.
Mr. Brooks’ pro-life stance was an obviously planned juxtaposition.
On one hand he was a serial killer no better than Dahmer and Gacy.
On the other, he was pro-life. Of of all possible character attributes, the writer and director chose this as Mr. Brooks’ one featured nobility, something they decided demonstrated the exact opposite of the schizophrenic killer mentality.
Why is that?
The comments are even more, ahem, interesting. I know and respect many people who are pro-life. You aren’t helping their cause.
OK, or how about in Fast Times.
Damone gets Stacy knocked up. She says she wants an abortion. But Mike Damone is a real man. He isn’t paying for any abortion. And then, he treats Stacy like the slut that she is.
Congrats to you, Mike Damone. You too win a Stannie Award for excellence in cinemagraphic heroism in the face of abortion.